About Vitrine
Vitrine is a collection management platform that helps museums, galleries, and hobbyist collectors catalog, organise, track value, and showcase their collections. It gives every collector a professional CMS and public website. Plans start free, with paid plans from £5 a month.
Most collection management tools fall into one of two camps: expensive institutional software built for large museums, or outdated desktop apps built for hobbyists in the 1990s. Vitrine sits in the gap — modern, web-based, and priced so that a coin collector in their spare room gets the same quality of tools as a regional gallery.
It is really two products sharing one foundation. Pick the one you are, and the rest of this page follows.
Collections documentation, done properly
Twenty-one registers, each a real record with its own history, grouped the way the work divides.
Everyday records
Loans and access
Care and risk
Governance and review
Entry records carry donor and depositor details, who received the object, consent, and the terms it came in under.
One object, its whole history
Every object opens onto its full record, and every part of it is a real field with its own history.
Where it came from and on what terms, where it is now and everywhere it has been, its condition and every treatment it has had, what it is insured for and what it was last valued at, who has borrowed it, what may be done with its image, and every document that belongs to it.
Up to 10 photographs per object. Print a catalogue record, or generate a QR label for the store. Scan it and the object’s page opens on your phone.
Fourteen designs, five of which treat the object as something you handle
Your public site is a real website with its own address, and you choose how it looks.
All 9 of the standard designs are here: the white-cube hang, the ruled catalogue, the salon, the mosaic, the magazine spread. Each is a whole treatment, setting the masthead, the collection grid, the arrangement of a single object’s page, and the typefaces it is all set in.
Minimal
Works matted on white with generous space and a quiet label beneath. A white-cube hang.
plate grid · rule chrome
Dramatic
Dark and atmospheric. Full-bleed tiles butt together; titles appear as you move across them.
spotlight grid · rule chrome
Archival
A numbered catalogue. Every entry is a ruled row with its thumbnail, details and date.
catalogue grid · rule chrome
Editorial
Bold and high-contrast. Each work gets its own spread, alternating left and right.
editorial grid · hard chrome
Classic
Deep navy and gold. Works are framed and matted like plates in a bound volume.
plate grid · soft chrome
Cover
Full-viewport hero, then the collection reveals one wide cinematic band at a time.
stack grid · rule chrome
Curator
Text-first. A large introduction, then a reading catalogue with an excerpt for each work.
catalogue grid · rule chrome
Magazine
Asymmetric mosaic of mixed tile sizes. High impact, never a regular pulse.
mosaic grid · hard chrome
Salon
Fixed sidebar identity, with the collection hung salon-style at natural heights.
salon grid · soft chrome
Five more work differently. Instead of laying images out in a rhythm, they size every frame from the object’s own proportions. Each has its own handful of controls, and each tells you how many objects it needs before it looks right. A rack of three does not read as a rack.
Flip
Covers face out in a rack, one square on and the rest raked away. Arrow through them, or click one to bring it forward.
flip grid · rule chrome · from 8 items
Foil
A fanned hand of cards with one held up in its mount. The foil catches the light as you move across it.
foil grid · soft chrome · from 5 items
Northlight
A lit case. Pieces stand on glass shelves under spotlights; pick one and it steps out onto a plinth.
northlight grid · rule chrome · from 6 items
Verso
The object on one card face and its catalogue entry on the other. Turn a single card, or turn the whole tray at once.
verso grid · rule chrome · from 4 items
Viewfinder
The collection seen through a finder, one frame at a time. Wind the lever for the next object.
viewfinder grid · hard chrome · from 4 items
Plan your visit
Embed it somewhere else
Sell tickets from your own site
Create an event, set capacity, add timed entry slots, and take bookings on your collection’s own website.
Free events and paid events both work. Paid events go through Stripe and the money lands in your account, not ours.
Every ticket carries a QR code. Scan it at the door and you get the event, the slot, the name on the booking and whether the ticket is still valid. Refunds are handled from the same place.
Gather part of the collection into an exhibition
An exhibition gets its own public page, its own place in the navigation, and a card on your homepage.
Choose the objects by hand, or write a rule and let it fill itself as the collection grows, pinning or dropping individual items where the filter gets it wrong. Choose how visitors move through it: a grid, a cover flow, a carousel, a filmstrip, objects on shelves, a contact sheet, a dated timeline, or one item per screen on a phone.
Unlimited, on every plan.
Be found by people looking for what you hold
Discover is a public directory of collections on Vitrine. It browses objects, so a researcher finds the object first and the collection second.
There are 62 categories, searchable by object or by collection name, with objects carrying their own category where it differs from the collection’s.
Listing is off until you turn it on, and only objects already published to your own site appear. Enquiries from researchers, visitors and other institutions arrive in a shared inbox your whole team can read. You can switch messages off and stay a listing only.
The rest of the team
Invite colleagues and decide what each of them can do.
Admins have full access, Editors can change records, Viewers can look but not touch. That is 10 accounts on Professional, and unlimited on Institution.
Deleted objects go to a bin for 30 days before they are gone, and every register keeps its own history.
What is in the collection, and who is looking at it
The collection broken down by type, medium and status, with total value against total acquisition cost.
On the public side, page views by day, which objects are being looked at, and which parts of the site people reach.
Export the whole catalogue to CSV whenever you want it, and bring an existing one in the same way. Deeds of gift, condition reports, valuations, conservation records, insurance schedules and loan agreements attach to the object or the record they relate to. Object photographs do not count against your document storage.
What each plan holds
| Professional | Institution | Enterprise | |
|---|---|---|---|
| Objects | 5,000 | 100,000 | Unlimited |
| Staff accounts | 10 | Unlimited | Unlimited |
| Documents | 1 GB | 10 GB | Unlimited |
| Everything else | Yes | Yes | Yes |
That last row is literal. The three plans carry the same features and differ only in size, so the question is how much collection you have and how many people work on it.
What we believe
Accessible to everyone
Professional collection management should not cost thousands of pounds per year. We price Vitrine so that individual collectors and small institutions can afford the same tools as large museums.
Your data, always
You own your collection data. You can export it as CSV at any time. We will never lock you in, sell your data, or hold your catalogue hostage behind a paywall.
Built for collectors, by people who get it
Collectors have specific needs — grading, provenance, condition reports, value tracking, insurance documentation. We build for those needs, not for generic inventory management.
Actively maintained
Too many collection apps become abandonware. Vitrine is built on a sustainable business model with a paying customer base, which means continued development and long-term reliability.
Get started
Vitrine is free to try — no credit card required. Read our guide to see what's possible, or browse public collections to get a feel for the platform.